Tag Archives: kava

Fanla Festival: Black Magic and Sand Drawing

Black magic is an integral part of the Vanuatu culture and is practiced widely by sorcerers and witch doctors.  However, Ambrym is considered the black magic epicenter of Vanuatu.  This is because they believe the very active volcano gives them special powers.

Black magic is performed by special sorcerers called “the man blong blak majik.” and are usually graded a 5 or higher.  Typically, females are not allowed near the sorcerer or his black magic.  However, times have changed and women are now allowed to witness their performance.

We were told that they practiced black magic in several villages and islands.  In Pentecost, southern Ambrym, and Tanna stories were told of the great black magic that was done over the years.

What is Black Magic Used for?

The elders will use black magic to control the weather.  To call for rain and storms, to help their harvest, to find love, or to curse an enemy.

In Lonwolwol, the village chief told us that his elders used black magic to make the volcano erupt.  Why would they do that?  Well, Christianity came to the island in the 1800’s.  As more and more villagers became Christian they stopped giving the respect and power to the chiefs.  So the chiefs used black magic to make the massive volcano erupt which destroyed the entire Cristian community.

What Black Magic Was Performed

Well, the “tricks” performed at the Fanla festival were relatively mild when you compare them to say a “David Copperfield Magic show.”  They performed 4 tricks for us.

The first trick involved a palm frond or long leafy branch.  He used a machete to cut off one side of the branch (1) and all of the leaves fell to the ground (2).  He placed the branch next to the fallen leaves.  Then he proceeded to spit several times (3) as he walked around the branch and fallen leaves.  After 4-5 spits, he bent over, grabbed the branch and all of the leaves had returned to the branch (4).

The second performance required two pieces of bamboo..  They had an opening on one end but were sealed on the other.  One bamboo was empty but the other had water inside (1).  He took the water from one bamboo shoot and placed it into the other (2).  After a little walking around and lots of spitting, he turned both pieces of bamboo over and they were both empty (3).  Where did the water go?

A Little Bit of Silliness

The third trick involved a white feather.  He held it for awhile, walked around a little bit, spit several times.  Spitting is very important for Vanuatu superstition.  Then he dropped the feather and ran away from it (3 and 4).  The feather followed him.

The last black magic trick that was performed included some tourists.  They had a special stick that they said conjured up the spirits.    The nambas (men wearing nambas) formed a circle and pounded the ground with rocks.  They chanted and sang as another man pounded a stick into the ground.  The sorcerer and another man grabbed the black stick and closed their eyes.  The spirit was tossing the stick all over the place as the two men tried desperately to hold on.  Soon, two tourists were brought over to help them.  The spirit was angry and wanted the stick but the tourists and locals would not let go. 

In reality, they were fighting each other without knowing it as their eyes were closed.  But it was in great fun.

The Art of Sand Drawing

A master sand drawer must possess a strong knowledge of graphic patterns, a deep understanding of their significance, and have the ability to tell a story with his art.

Sand drawing is done completely by memory and will vary from artist to artist.  It is a unique way of telling stories, sharing their culture and history, and communicating.

They have sacred and profane meanings and were used to record rituals, mythological lore, local history, farming techniques, and more.

Sand Drawing in Fanla

During the festival we are treated to two different sand drawings.  The chief explains that sand drawing is multi-functional as an indigenous artistic expression while telling a story and passing down their traditions.

They start out by finding a clear space of sand.  If one is not available, such as during the festival, then they sprinkle ash on the ground to create a clear space.  

They start by drawing straight lines to create a grid.  When the artist is ready to begin he will position himself in the center of the art so he can reach all sides.  Using one finger, he will draw patterns continuously meandering around until the finished product is produced.  

The finger will only leave the ground once the sand drawing is complete.  The first piece he drew is the image for the ROM festival.

He then clears his area, lays more ash down and begins again.  This time he draws the island of Ambrym which is represented by the two volcanic peaks.

There are over 100 sand drawings being recorded by the artists.  They practice during their free time and consider it a hobby.

The Role of the Leader

At the end of Day 1, the chief asks who the leader is of our group.  Everyone points to me, unanimously.  Oh boy, I am not sure I am going to like this….

The chief asks me to come forward to share a cup of kava with him.  Eek gads. I did not like kava in Fiji, I doubt I will like it here.

Kava is a derivative of the pepper tree family and is cut and chewed into a pulp.  Then it is spat into a bowl.  The mushy pulp is squeezed and the resultant, brown liquid is drunk in a single gulp.  Sound appealing???

I get up and put my best smile on.  The chief has changed into “normal clothing” and hands me my mid-tide cup.  We sort of do an air “cheers” and then it is bottoms up.  

As you can see…it was a hard swallow, but I did it with a smile.

Afterwards they presented me with a special gift.  It was a piece of carved wood representing the ROM festival.  Very special and sweet.  Almost worth all of the work it took to gather the 18 cruisers.

Our blog posts run 10-12 weeks behind actual live events.  The Fanla Festival was held in mid-July 2024.  If you missed it, our last post showcased the ROM Dance.

Vunisei Village

Sevusevu at Vunisei, Kadavu

We leave Yadu Island riding a huge high from our manta experience and head to the large island of Kadavu.  About six or seven weeks ago, we visited the south side of Kadavu, but we did not have a chance to visit the north side.  We motor-sailed 12nm from Yadu to the bay of Tomba Ni Ndaku and visit the Vunisei village. 

It was a beautiful, calm day to be out on the water.  A slight downwind run with clear, sunny skies.  We arrived the bay of Tomba Ni Ndaku around 1400, dropped the hook in a nook of the bay and headed into the village of Vunisei to do sevusevu.  Can you see the village in the lower photo tucked in the mangroves?

Vunisei Bay, Kadavu

Vunisei Bay, Kadavu

The village of Vunisei is not really visible from our anchorage.  We have to weave our way through a lot of mangroves before the beautiful village is revealed.  On our way in we encounter a panga with loads of kids happy to wave and shout “BULA” to us.

Welcome to the Village

We’ve been in Fiji now for almost 3 months and have performed the “short” sevusevu a dozen times.  But each ceremony has been the short-condensed version where the chief receives us, claps 3x, prays, welcomes us to the village, and we have a short chat.  However, this time, we get the privilege of a full and complete sevusevu ceremony!

We are greeted by Joe, the chief’s son who takes us to the town hall where the ceremony is to take place.  Joseph, the chief arrives along with the torang-ni-koro (headman), and 7 other men in the village.  Yep, I am the only woman present.

We politely explain that this is our first full sevusevu ceremony hoping they explain what they are doing along the way — which they happily did.

Sevusevu

The fresh kava root that we gifted to the chief is handed to his son Joe to pound into powder (step 1, upper left corner).  It is placed in a metal cylinder which is in a hole in the floor. He then uses a steel metal shaft to pound it into the cylinder.  Matt thinks he used a propeller shaft from a boat because it looked remarkably similar.

Step 2 includes placing the freshly ground powder into the tree bark (see the dried tree bark on the kava bowl in the upper right corner photo).  The tree bark is long and sort of looks like hair but is wicked strong.  Water is added and then the powder is all rolled and rolled and rolled amongst the tree bark in the water.  Infusing the kava with the taste and smell of the bark. This is new to us as we were told and had seen other villages use a tea towel instead of the tree bark.

Step 3 is when the liquid is cleaned and all powder residue is removed using the tree bark.

Step 4 is the final preparation for the grog.  All remnants of the kava root and tree bark are gone and the grog is ready to consume.  Using a coconut cup, the first one is handed to the chief, then the toranga-ni-koro, then me!  Oh dear, no pressure, please don’t gag or make a face.

The Grog and its effects

I clap once, say “bula”, and gulp the entire cup in one go, then clap 3x and say “Vinaka.”  I think to myself, “well done.”  Next up is Matt.  This is his first-time tasting grog and I am curious to see how it goes.  He somehow manages to dribble a wee bit down his chin, but other than that it goes swimmingly well. 

The cup is passed around a second time before we are able to extract ourselves politely.

Within a few minutes of drinking the second cup we feel a slight numbing sensation in our mouth, tongue, and throat.  It did not last long, maybe 30-45 minutes.  Keep in mind that the villagers do not drink, this is their recreational drink of choice.

Vunisei School

We walk to the top of the mountain just behind the village to visit the school.  I had brought a few school supplies for the teachers and wanted to present them personally.

From the hilltop, we had gorgeous views of both Kadavu village and Vunisei village.

On the way back to the town hall we came across loads of children.  There are 70 people who live in the village and about 25 of them are children.

Back to the Boat

We go back to the village chief and leaders and politely thank them for their hospitality and for walking us through the entire sevusevu ceremony.  They had wanted us to stay for more kava but 2 cups is all I can take so we graciously declined.

The water was flat calm when we left.  I just can’t get over how beautiful the entrance and exit is to this village.  What a lovely way to come home every day.

Matt got out the drown and took some beautiful photos at sunset.  And it just keeps getting better and better as the sun goes down.

Tomba Ni Ndaku is a beautiful anchorage with a lovely village!  We were invited to church the next day, but unfortunately, we had to move on to our next adventure.

We prepared to leave the next day at dawn and were greeted with a gorgeous moon set.

The events from this blog occurred in early September 2022.  Our blog posts run 6-8 weeks behind actual events.  We play with the manta rays while they eat and get cleaned.  Check out this blog post!

Fulanga and the Cave of Bones

Matt and I make another overnight sail from Bavatu to Fulanga (which is also known as Fulanga and Vulaga / Vulanga).  It is only a 100nm sail but we have to time the exit from Bavatu pass and the entry to the Fulanga pass during slack tide which makes it an overnight.

The sail was relatively easy as it started with 17-18kts of wind from the NE giving us a tremendous boat speed of 8-9kts.  We kept enjoying the fast speeds as we knew we would lose the wind later in the day.  About 6 hours later the wind dropped to 8-9kts and then it dropped even lower to 5-6kts.  We did our best to squeak miles out under sail before it got to slow forcing us to turn an engine on.  We arrived just as planned at 0700 which was perfect timing for the pass.  We were traveling with 3 other boats and we all entered with no problems.

The Village

After securing a prime spot for anchoring, we all headed into the village to do our sevusevu (a requirement).  We all brought out sulu (which is a parero / sarong) and our bundle of kava (which the locals make into a drink) and dinghied 20-minutes across the lagoon to the landing.  We tied the dinghy up, removed our hats, put on our sulu and followed the path to the village (a 20-25-minute walk).  Along the way we met many villagers who each stopped, shook our hand and introduced themselves.  So friendly!

We do a short version of Sevusevu because the men are holding a village meeting.  They offer us kava to drink, but we declined as it was a huge crowd and huge bowl of kava and we did not want to try it for the first time with an audience.

After we present our gifts of kava and $50F (for community repairs and support), we are introduced to our host family.  Our host family, Nico and Lucy offer us ridiculously hot tea and cakes and tell us about the village.

There are two villages within walking distance of each other.  Each village has an “Artisan Market.”  Evidently all the men are wood carvers and they give it to the market to sell to help provide for the village.  I purchased a pretty floral bowl, a small carved turtle and a hammerhead tooth (for Jake Martin).

Cave of Bones

There are many things to enjoy in Fulanga, but a must see is the “Cave of Bones.”  We ask our host family if we can go see this cave and visit one of the lookout points.  They arrange for a guide (as they are older and cannot take us themselves).  Our guide is the host family for one of our cruising friends so we all go together.  Balé is very sweet and takes his time walking us up the rocky terrain.  It is a short, but super steep hike up the mountain.  We walked 4.3 miles, went up about 23 floors and managed about 12k steps.

The cave opening is a wee bit small that you have to climb into.  It is surrounded by lava rock which tends to snag your clothing and skin.

Inside the cave are lots of skulls, femurs, and other miscellaneous bones.  Matt decided one skull looked better with his hat and glasses.

It was kind of cool yet super creepy to hold the skulls in your hand.  They seemed so very small to me.

Of course, you have to have a skull and cross bones image too.

Another short, steep hike up the hill to the look out and it was well worth the effort.  One view overlooks the anchorage and the overlooks the two villages.

Here is our group of hikers, Matt and I and our friends on Rapture, Greg and Susan.

The Anchorage

Like many of the other Lao group islands, Fulanga has many towering rocks that jet out of the sea to the sky.  They are covered with palm trees and bushes and completely break up the lagoon.

We find a beautiful spot to anchor away from the other boats, but close enough to our friends that we can dinghy over for dinner.

This sign made me laugh…it is located outside the medical clinic (read the last line)

Dinner on Anima

We met some new friend and old friends (whom we know from French Polynesia) and had dinner onboard Anima.  It was “Rapture”, “Sea Jay”, and “Anima”.  Manuel and Thomas prepared a traditional Portuguese meal with some fresh fish they caught!

We enjoy a Fijian celebration of “lovo” at the bay of Bavatu after hiking 271 steps!  This blog occurred end of June.  Our blog posts are 10-12 weeks after actual events occurred.