Tag Archives: carving

Tam Tams and the Beautiful Art of Carving

After our lovely tour of the Fanla village we are finally taken to the nasara, their sacred site.  The nasara is a 400-year old concept which brings together the surrounding villagers for special ceremonies.

It is a short walk through the forest to the nasara which is a wide-open clearing.  This particular nasara is the only one used for grade taking ceremonies and the ROM dance.  It’s unique and privileged status is highlighted with the mass amounts of tam tams surrounding it.

Tam Tams

What is a tam tam and why is it so valuable?  A tam tam is a hollowed out slit drum that is placed in sacred grounds.  They range from 1-4 meters in height and usually have the bottom portion buried in the ground.

They are a symbol of wealth, prestige, and are markers of one’s level of initiation (grade level).

The tam tams are made from large trees within the breadfruit family.  This type of tree already holds significance to the villagers as a sacred, magical tree.

The Tam Tam Carver (Creator)

The process of making the slit drum is a very important ritual. There are many types of carvers in Vanuatu, but the ones that have the legal right to carve tam tams only reside in Ambrym.  Carvers have to pay for the right to carve the design (or face).  The fee of pigs and yams is very expensive.

The carver of a tam tam is also a sorcerer.  He is responsible for imbuing the tam tam with spiritual power.  Special measures are taken throughout the carving process to ensure that it is kept secret.

The tam tams are carved to honor their ancestors and designs/faces are unique to each carver.  This carver pays for the “rights” to this design and is the only one who can replicate it.

Some tam tams are carved with more than one face.  However, you have to be a high grade level to be able to carve a multi faced tam tam and it will cost you several valuable pigs.  No tam tam is allowed to have more than 5 faces.  Such drums are quite rare as the carver must pay extra in order to create each additional face. 

We found 2 two-faced tam tams while we were at Atchin island (which is near the North tip of Malekula).  It is such a rare find to come across a multiple face tam tam in its original environment.  We are so darn lucky!

Here is a post by someone else where they have more multiple faced tam tams.

What is their Purpose?

When the carving is complete, a hole is dug about 1.5 meters and the slit drum is sunk vertically or at a slight angle.  This will allow the drummer easier access to the drum during performances.

Tam tams are used during sacred ceremonies and they are used to send messages of birth, death, impending war, circumcision, meetings, and dance.

The rhythmic beating of the slit drums will shake the ground under your feet and can be heard for many miles.  Matt did not attend the 2nd day of the Fanla Festival and was out on his SUP.  He heard the drumming from the sea which is at least 5 miles away from the village in the mountains.

Stone or Lava Carvings

Stones have long been a source of magic in Ambrym.  So, if you are lucky enough to find a stone carving it has extra special meanings.  Stone carvings will usually cost more and are harder to find.

Often you will find special stones or rocks near the tam tams which represent the chief’s or elders ranking.

Stone or lava tikis are usually located near banyon trees to protect the spirit of the tree.  Male banyan trees are sacred and tabu for women to go near. The banyan tree near the nasara had two lava tikis. 

The festival had lots of carvings for sale and I was lucky enough to purchase the smaller, stone tiki below.

Wooden Carvings

Ambrym is known for its carvers and many of them live near Fanla.  So, we had a wide variety of carvings to shop from.  They had tiki statues, masks, necklaces, pig killing hammers, carving tools, and flutes.

Some of the work is really intricate while others are simplistic.  The prices reflected the detail of the work but usually ranged from 2,000vt to 80,000vt ($20-$800 USD).  

Here are several more stone, lava and wood carvings that were located around the nasara in Fanla.

Carving Demonstration

We were able to participate in a carving demonstration while we were anchored in Ranon. Starting from a round piece of wood, already shaved of its husk.  He used modern tools like a hammer and chisel.  He started on the face, then the ROM hat, then the top using a machete and a saw to add detail.

Our blog posts run 10-12 weeks behind actual live events.  The Fanla Festival occurred in mid-July 2024.  Fanla, an authentic kastom village tour occurred in our last blog post..

Carving School Creation

Back to School: Carving 101

We went back to school to learn how to carve oyster shells.  I’ve always known this was craft required true talent, patience, and creativity.  None of which I possess.  I knew this would not be easy, but I was wiling to give it the old college try.  My friends Carolyn (on “Askari”) and Sandra (on “Pico”) joined me for this adventure at the carving school.

We each picked our desired creation and Hefara, the teacher, hand drew each design onto the inside of the oyster shells.  Armed with our shells we headed over to the work stations. 

Tricks of the Trade – the tools.  Truth be told we used a lot more tools than what is shown below, but these are the main tools used at the carving school.

Carving Tools

Carving Tools

Practice Makes Perfect

Hefara shows us how to practice using the Dremel.  He drew several straight lines on a shell for each of us and tells us to carve a straight line next to the green ink line.  Easier said than done.  Learning how hard or soft to press on the shell; how to stay just above the green line; and how to do short downward strokes.  I had issues maintaining the same amount of pressure with each swipe.  It seemed to have rippled which is not ideal.

Practicing a straight line

Practicing a straight line

Let the Carving Begin

1ST tool rather small dremel tool to begin the carving outside the green line.  At this point we did not know if we were carving the design on the shell or if we were doing a cut out of the design (there is a language barrier). Don’t move your hand, but your wrist.  Only use short, downward strokes pressing evenly each time.

We also did not know how deep to go so we were all really apprehensive and rather gentle when carving which took us a lot longer to carve our pieces out

2nd tool was much bigger and had a super sharp point – it looked like a cone. We held this at an angle to make the carved area much bigger.  If you did not hold it correctly you ended up with lines in the shell.  Had we known we were cutting it away we would have been more aggressive with this tool

3rd tool cutting – Hefara used a cutting tool to cut out our designs– then you bang it on something to make the piece pop out

4th tool larger cone tool was used to remove the excess around the edges. Hard because of the uneven surface makes the tool slip which can ruin your piece

5th tool is a cleaning tool with sand paper. This is used to clean up the piece and get the shell to the pretty colors.  You push rather hard to remove the top layer of the inside of the oyster shell

6-9 tools: Hefara uses three different tools to carve Polynesian symbols on my manta ray

Students to the Rescue

After about 2.5 hours, Hefara asked a few of the students at the carving school to help us out.  It was the last few hours of the last day before a 2-week holiday break – they wanted to leave and we were too slow.  But we appreciated the help on the intricate details from the professionals.

We were each absolutely thrilled with our finished designs.  I wish I could say this was all me, but in reality, it was about 70% me and 30% Hefara. With the best parts and most intricate designs coming from Hefara.

Click here to read the blog post on the carving school with more images of their stunning works of art.

The local school is Le College Saint Raphael de Rikitea.

Events from this blog post occurred on 1 April.  Our blog posts run 8 weeks behind our adventures.